Artist's Statement

My relationship with clay started many years ago.  Rooted in classic forms, my work in ceramics continues to evolve as I explore new shapes, surface alterations, and glazes.  I am moved by the magic of forming a piece of unformed clay into something that can be used daily and is as lovely to look at as it is to use.  I am awed that I can render something as soft and supple as clay into a durable piece that can be used over and over for many years.

I work on the wheel using high fire Cone 10 clay bodies and glazes.  My stoneware is to be used for drinking, serving, or holding a bouquet of flowers. 

My goal with every pot is for that particular piece to show its intention from the beginning of the throwing process.  The lump of clay that starts out to be a bowl should look just as fluid and alive when it is finished.  I want the user of my pots to know it was made by my hands and a few simple tools.  This is why I do not erase all the signs of my hands touching the clay, such as a finger dent or throw line.  Much of what I do with my pots-surface textures, faceting, and altering is to show the qualities of the clay in its most primitive (wet) state.  Glazing for me is simple, meant to enhance the textures and the silhouette of the pottery I make.

I continue to work on both forms and glazes to achieve the combinations that honor the original thrown piece.  I want my pieces to be both aesthetically pleasing and functional.  

I want my pottery to be looked at, felt, and visually appreciated not once,  but every time one holds or uses a piece.